Ohio’s Camera

In researching a recent donation to the Ohio Historical Society it became apparent that the short lived Ohio based camera company, Ciro Cameras, had become largely forgotten.  Without texts from OHS collections and blogging camera enthusiasts, Ciro-flex and Ciro-35 cameras would be resigned to dusty attics and thrift store shelves.  This donation gave us a chance to rediscover an Ohio treasure.  Ciro-flex was once one of the most popular Twin Lens Reflex Cameras in the country.  It offered excellent quality at a price more affordable than Kodak.

Ciro-flex camera, model unknown, with attached Ciro-Flash and coordinating Ciro-Pod. From the Ralph Ramey collection at the Ohio Historical Society.

Though photography has been around in some form or another since 1814, they were extremely large, expensive, and largely ineffective.  The invention of paper based photographic film by Kodak founder Eastman in 1884 put photography well on its way to portability.  With easy to use film new camera models began churning out, getting smaller and more functional as they progressed.  Rolleiflex out of Germany developed the first compact Twin Lens Reflex Camera (TLR) for public use in 1921.  These were very popular with consumers in both Europe and the United States.  Trade embargos, military contracts, material shortages, and financial restrictions during World War II changed the dynamic of TLR cameras in the US.  Rolleiflex cameras were no longer easy to obtain and prices began to rise.  Enter Ciro Cameras Inc.

Ciro Cameras was founded in 1941 by a former Ford engineer and French immigrant, Rodolphe Stahl, in Detroit, Michigan.  The new company was approached by Sears and Roebuck to create a TRL camera for sale in their stores.  Stahl produced the Marvel-flex for Sears and simultaneously released the nearly identical Ciro-flex through his own company.  Dubbed the “working man’s Rolleiflex,” the Ciro-flex benefited from US production during WWII, affordability, and aesthetic simplicity.  If not for the stuttering flow of exportation from Germany during and after the war Ciro-flex may never have existed.

Ciro Cameras relocated to Delaware, Ohio, in 1947.  This move was prompted by Stahl because he felt that the rural atmosphere and the near by college made Delaware, OH an ideal place to live. The camera company moved into a former chicken processing warehouse at 425 S. Sandusky and continued its growth.  At the company’s peak, Ciro Cameras employed 136 Ohioans and produced 100 cameras per day.

Inside the Delaware, Ohio, Ciro Cameras Factory, photograph courtesy of Richard Browning.

While located in Detroit, MI, Ciro Cameras produced three Ciro-flex models: A, B, and C.  There are major technical differences between all Ciro-flex models; however not many are apparent to the naked eye.  Ciro-flex A’s are the easiest to distinguish because the logo on the camera is arched instead of straight; otherwise all Ciro-flex models are distinguishable into two categories by lenses.  Ciro-flex B, and later D, were fitted with Alphax Synchromatic lenses while Ciro-flex C, and later E, were fitted with Rapax Synchromatic lenses.   The Ciro-flex A was dropped during the move from Detroit, MI, to Delaware, OH.  Once headquartered in Ohio, Ciro Cameras continued to produce the B and C models while they launched the Ciro-flex D and E as upgrades to those models.  In 1950 launched their most advance TLR camera, the Ciro-flex F.  Various accessories were added to the Ciro-flex family throughout production, including the Ciro-pod, the Ciro-flash, and various cases.  Thanks to a recent donation, the OHS has representations of nearly every model and accessory produced by Ciro Cameras during its Ohio tenure.

Ciro-Flex, model F. From the Ralph Ramey collection at the Ohio Historical Society.

Ciro-flex cameras were so popular amongst American consumers that it prompted Bruce Downs to write his book “Photography with the Ciro-Flex” in 1950.  This publication boasts that it is a “basic book on Twin-Lens Reflex camera technique” and delivers concise information in easy to understand language.  The publication of this book further endeared the Ciro-flex and other TLRs to the public.

Cee-Ay camera. The plan for this camera was purchased by Ciro Cameras Inc. and rereleased as the Ciro-35. From the Ralph Ramey collection at the Ohio Historical Society.

In 1949, Ciro Cameras purchased designs for the Cee-ay 35 camera.  This 35 mm camera was produced by the Candid Camera Corporation of America.  Though highly influential, the Cee-ay 35 was only in production for a matter of months before Ciro-flex purchased the design and remarketed it as the Ciro-35.

Ciro-35 camera. From the Ralph Ramey collection at the Ohio Historical Society.

Ciro Cameras and all of its models were sold on October 1, 1951 to Graflex Inc.  The Ciro-35 and Ciro-flex models were continued for several years under the same name but identified as Graflex products.  Eventually, Graflex rebranded the models to the Graflex 22, Ciro-flex, and the Graphic 35, Ciro-35.

Even though Ciro Cameras are almost forgotten to history the influence of this small company can be seen throughout the camera industry.  The Ohio Historical Society is pleased to acquire such an expansive collection of Ohio made cameras to help us tell the story of Ohio industry, creativity, and immigration.

E. Higgins

This entry was posted in collections, Curators, New Acquisitions. Bookmark the permalink.

24 Responses to Ohio’s Camera

  1. Very cool article on a great camera company. I have a model B from Delaware and love it! Would love to see a picture of the factory on Sandusky, even if it’s from today.

  2. littlewit says:

    That’s pretty neat. I keep thinking that cameras and photography are something only common to mine and my parents’ generations. I love being wrong in instances like these when I unearth photographs of my great grandparents.

  3. Renee Schaub says:

    I have the 1203×1804-198k-jpg..What is it worth without the flash unit and tripod? Would appreciate any information you can give me.

    Renee Schaub

  4. Doug Grosjean says:

    Greetings, excellent article! I got my start with medium-format photography, using a Ciro-Flex, in 2005. In modern times, the Ciro-Flex TLR is a popular entry into the world of medium-format photography, because it’s inexpensive (due to being so prolific), and simple, and can produce exellent photos for the money. In a month or so, I’ll be kayaking / rafting the Grand Canyon, and a Ciro-Flex will be in my luggage along with a modern digital camera.

  5. Judith Jabloner Bumble says:

    I had one as a young girl around 1947. It took wonderful photos of my young neighbors, and later of my little boy campers. I loved using it. It made me into a photographer briefly. Unfortunately it was stolen during one of our 92 Street burglaries.

  6. Randy Moe says:

    I just bought a Ciro-Flex B serial # 73166 that is so mint I am scared to touch again. It is perfect, most likely never used. Complete with excellent box, papers and a real good clean leather case. I am freaked out. It really is that nice. I should not own this. I am more a playful shooter than collector. This thing belongs in a museum. Any ideas?

    • Andy McRory says:

      I have a B I’ve restored. Use it – it’s a functional object made with a purpose, not a work of art. Also, they’re not really worth much monetarily.

      • It has a factory defective shutter. I prefer my Yashica A.

        Not using, not selling. Preserving for the next gen of collectors after I am dead.

        Too much is being lost. My main focus is LF, ULF cameras and all 8×10 enlargers. I restore and use all it.

        Who collects enlargers? In USA?

  7. John Kelley says:

    I have a Ciro tripod just as shown in the first photo but the swivel mount is broken that goes on the top male threaded bolt. Any idea where I can get a replacement??
    John Kelley

  8. Robert Main says:

    I have a Ciro 35 with flas(still in box) was trying to get the value of the camera

    • ohiohistory says:

      Hello, OHS staff can not provide monetary appraisals for historical objects for ethical and professional reasons. You might look for similar cameras for sale at online auction sites or visit the American Society of Appraisers web site to find an appraiser in your area. Good luck!

  9. This is great information! I have my dad’s Ciro-flex (I believe it’s a Model-C, though uncertain of exact production year). I just yesterday was experiment using my Ciro-flex and then utilizing my digital point-and-shoot to take shots of the ground glass in lieu of film. That’s 70 year-old tech combined with 3 year-old tech and still produces some great images.

  10. Dan Hausman says:

    The Ohio Camera Collector’s Society can help identify your old cameras. http://historiccamera.com/club/occs/
    OCCS is a non-profit group dedicated to preserving the history of photography. Ralph Ramey is member.

  11. Roland Penttila says:

    My father had a DeJur twin lens reflex camera back in the 50s. I read somewhere that it was a “private branded” version of a Ciro-Flex TLR. Do you have any information on why Ciro-Flex would have allowed another entity to but another name on their equipment? If so, who was DeJur and why did they want their own brand?

  12. Jennifer says:

    This has to be the Ciro-Flex Model “E” as it has the Rapax Shutter and it has Synchromatic listed on the shutter, which was only found in the “D” and “E” models. The “D” model had an Alphax shutter. Hope this helps complete your work for this.

  13. Pingback: Ciro-Flex Model D (1948) | Mike Eckman dot Com

  14. Andy McRory says:

    A quick correction – the Alphax, Rapax, etc., were shutter mechanisms, not lenses. Wollensack out of Rochester made most Ciro-Flex glass.

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